14 research outputs found

    File organization: Consecutive storage of relevant records on drum-type storage

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    Certain structure relationships between a query set, a record set, and storage media provide an opportunity to organize the record set without redundancy on the storage media, in such a manner that all records pertinent to any query in the query set can be retrieved with minimum access time. This property between query sets and record sets has been studied for drum-type storage media. Sufficient conditions for such a property have been established. It has been shown that the two dimensional storage capability of the drum-type storage can be utilized to extend the class of query sets and record sets for which the consecutive retrieval property exists on a linear storage media

    "The fruits of independence": Satyajit Ray, Indian nationhood and the spectre of empire

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    Challenging the longstanding consensus that Satyajit Ray's work is largely free of ideological concerns and notable only for its humanistic richness, this article shows with reference to representations of British colonialism and Indian nationhood that Ray's films and stories are marked deeply and consistently by a distinctively Bengali variety of liberalism. Drawn from an ongoing biographical project, it commences with an overview of the nationalist milieu in which Ray grew up and emphasizes the preoccupation with colonialism and nationalism that marked his earliest unfilmed scripts. It then shows with case studies of Kanchanjangha (1962), Charulata (1964), First Class Kamra (First-Class Compartment, 1981), Pratidwandi (The Adversary, 1970), Shatranj ke Khilari (The Chess Players, 1977), Agantuk (The Stranger, 1991) and Robertsoner Ruby (Robertson's Ruby, 1992) how Ray's mature work continued to combine a strongly anti-colonial viewpoint with a shifting perspective on Indian nationhood and an unequivocal commitment to cultural cosmopolitanism. Analysing how Ray articulated his ideological positions through the quintessentially liberal device of complexly staged debates that were apparently free, but in fact closed by the scenarist/director on ideologically specific notes, this article concludes that Ray's reputation as an all-forgiving, ‘everybody-has-his-reasons’ humanist is based on simplistic or even tendentious readings of his work

    Data Base Organization for Data Management

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    VII, 487 tr.; 22 cm

    File organization

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